How to
price your work as a writer
I see this as an open letter; if other writers would like to add to the
list in comments, bellow, I’d be most interested.
Thirty years on – almost – and I still have to think
extremely carefully about how to price new work. I can’t say that at this
juncture I have completely come up with a solution. These are some of my
thoughts:
If I have a really great client – one who has stayed with me
for many years and whom I know extremely well (perhaps the CEO and owner of a
large company) – he and I will both know that his loyalty deserves recompense.
If I am really busy with very well paid work, I will make time to serve him
with the words he needs at the best possible price. If it is a job that
I can do happily and well in just an hour or two, including our conversation
about what is needed, I’ll sometimes ‘forget on purpose’ to invoice. In this
way, I hope I am doing him a service, giving him something back in an
unstructured way because he is both a client and a professional friend.
If I have contracted (i.e. signed contracts) arrangement
with a large corporation, I generally stick resolutely and clearly to the
agreed price per day which is detailed in the contract. In exceptions, when we
both know approximately how long a piece of work will take and there are five
or more days’ work involved, I will happily discount a percentage (perhaps 10,
sometimes more depending on the length of the project) with the purpose of
providing value that can be measured as such by the money men, should the
commissioner of the work be asked about costs.
If a former ad hoc client returns for new work, I will
evaluate the cost, charges, effort, client relationship etc that we have
formerly enjoyed and charge accordingly. Depending on my own needs, tax
allowances, overheads, time availability, and the ‘burden’ my charges might
appear to place on the client for the new project, I will offer a price. I will
never buy work when I'm hungry for the next project by dropping below my market
value.
Which brings me to the point in another way. How do you
assess, measure, understand have insight into your value in the marketplace?
This is to do with your confidence and your knowledge of how skilled and clever
you are as a writer. If you rate yourself highly and have all the testimonials
to prove that your clients do too, this doesn’t mean that you charge a higher
price. It could well mean you charge less than your full daily rate; which
ought mostly to be a yardstick for your purposes of estimation. You are after
all, for the most part, a person who works, thinks, lives for much of the day
at least on your own, earning your livelihood as best you can, dependent on the
goodwill of others as they depend on yours. Every job, year in year out, has to
be the best you can do for your client. When someone pays you, for example,
£500 plus per day for your work, what you do for them has to be First Class,
the agreement about expectations has to be tight and you must feel sure that
the client will have a return on his investment. You do not want to leave a job
done, an invoice properly paid in good time, feeling uncomfortable.
Finally, of course, we have maths. Every professional has to
spend a lot of his time on new business, quotes, travel expenses, office and
other overheads, accountants and much besides. This takes time out of your
year. Are you going to work 365 days per year. No? Then how many are you going
to work? How much reasonable time of each actual day can you properly charge to
your client? Do the math. Then work out what you need as a disposable income
plus profits for ill days and all the unpaid holidays you either need or have
to suffer while big clients are away with the friends and families. Divide the
number of days you can – with your experience – actually be productive writing
by the gross income you require each year. That is a helpful indication of your
daily rate.
Bear in mind that, doing what you do for a living,
professionally, takes its toll. You need some simple recovery time. Add 25% at
least to your eventual figure. This analysis might help or might be nonsense.
Discuss?
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